The expression of humanity captivates me. When I work in clay, often a face emerges guiding my process. Feelings such as alienation, suffering, strength in adversity, joy, compassion, and peace may emerge. I experiment with form, texture, and various surface treatments using combinations of under-glazes, oxides, and glazes. Technically, my sculpture exemplifies an intense exploration often requiring multiple firings or alternative cold process techniques to achieve final results.
Many of my pieces are produced in series, reflecting subtle human emotion in uniquely expressive figurative work. My intention is to evoke connection and empathy.
Formally trained as a sculptor, I received a BFA in 1972 from Pratt Institute in sculpture and art education, and in 1976 an MS from the State University of New York, New Paltz with an emphasis in large format black and white photography and art education. I incorporated my creativity into a 35 year teaching career, infusing students with creative explorations in both visual and performing arts. My love of stories, both cultural and personal, also led me to practicing, performing, and teaching storytelling in the oral tradition.
Greatly influenced by a recent pilgramage to Japan, I am inspired to explore alternative processes and themes based on ancient Japanese traditions.